Grain elevator with sagebrush in the foreground. EIPS Fieldtrip Grainville, ID. 11.08. Sepia, Shown on metallic paper. Shown at EIPS Advancement 11.08. Topic: Barns. Score:9.0

Life...through my eyes.

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amysgallery > Old barn in Beach, North Dakota.
Shown at EIPS Advancement 11.08. Topic: Barns. Score:8.8

amysgallery > Grain elevator with sagebrush in the foreground. EIPS Fieldtrip Grainville, ID. 11.08. Sepia, Shown on metallic paper.
Shown at EIPS Advancement 11.08. Topic: Barns. Score:9.0

amysgallery > Barn north of Salmon, ID. 8.08. Shown at EIPS Advancement on 11.09. Topic: Barns, Score: 8

amysgallery > Wildflowers and Downed Timber.

Downed timbers frame the Indian Paintbrush, Bluebells, and Mountain Lupine in a meadow near Yellowstone Lake in Yellowstone National Park.

Shown at EIPS Advancement on 12.08. Topic: Photographer's Choice. Score: 9.0

amysgallery > Sunset in Idaho
Shown at EIPS Advancement on 12.08. Topic: Photographer's Choice. Score: 8.4

amysgallery > Love on the Line

Shown at EIPS Advancement on 12.08. Topic: Photographer's Choice. Score:8.8

amysgallery > Old Chevy truck parked in the weeds. Roberts, Idaho. 9.08. Shown at EIPS Advancement on metallic paper. 2.08. Topic: Automobiles. Scored: 10

amysgallery > North Dakota parking lot.
Shown at EIPS Advancement 2.08. Topic: Photographer's Choice. Score:9

amysgallery > Old truck near Heise, ID.
Shown at EIPS Advancement 2.08. Topic: Automobiles. Score:8.8

Grain elevator with sagebrush in the foreground. EIPS Fieldtrip Grainville, ID. 11.08. Sepia, Shown on metallic paper.
Shown at EIPS Advancement 11.08. Topic: Barns. Score:9.0

Camera: Eastman Kodak Company (Kodak Dx7590 Zoom Digital Camera) |

More details: exif |

Original size: 1932px x 2576px |

Current: 225px x 300px |

Other sizes: Small • M • L • O • save photo |

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Keywords: abandoned rural farm west idaho

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"To me, photography is an art of observation. It's about finding something interesting in an ordinary place...I've found it has little to do with the things you see and everything to do with the way you see them." Elliot Erwitt

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